This was an extremely fun production to work on. I managed a cast of 11, a crew of 12, and a nightly fight and intimacy call. One of my favorite parts of the production was realizing the special effects including calling a simultaneous light, sound, and special effect cue for a lightbulb being shot onstage, and having our lead actor actually fall into the orchestra pit (onto a crash pad) during the second act. 

Additionally, one of the things I appreciated the most about this production was how seriously we handled gun safety. Despite using a non-firing replica weapon we always treated it like it was a live weapon and followed protocols developed by fight directors specializing in firearms, including storing it locked in a gun safe, having all cast members involved in the scene it appeared onstage check the gun together to ensure it was the same gun and not loaded, and having a crew member keep it holstered on their person at all times that it was not onstage and only handing it off right before the handler's entrance.